Hieroglyphs are the most beautiful and interesting collection of letterforms
As a child I admired the elaborate artwork used to create lettering at the funfair or at the circus. The letters painted on the sides of buildings, trucks and canal boats. I also enjoyed letraset transfers, typewriters, american graffiti and Egyptian Hieroglyphics. What connected all of these was a developing love of typography.
I always had an appreciation of the visual aspects of language, of using letters as a form of art. It wasn't just the letters themselves but also the arrangement, the whitespace, the colour and font choices, their positions in relationship to the images used. Everything was deliberate and made in a way that worked together.
In particular, I found myself drawn to languages that used pictorial elements, iconography and glyphs. At university (Liverpoool) I gained a degree in Ancient Egyptian Grammar. Hieroglyphs are the most beautiful and interesting collection of letterforms and understanding them was very important to me. I also love history and after studying Archaeology (Oxford) I gained a master's degree in Museum Studies (Leicester).
My career started in the maintenance and repair of reprographic equipment, then graphic design, website design and finally application development (using a very different type of language). It is this background and a love of drawing and being creative that led me to wanting a physical space where I could create works using traditional typography methods whilst researching and exploring the history of letterforms.
The first printshop was just in my garage at home.
This started to get more serious when I decided to build a small printshop in my garage at home and I bought an Adana 8 x 5 press. I soon started collecting trays of type and all of the equipment that is required to create letter-pressed prints. This was a good introduction but I outgrew the space and wanted more.
It was too cold to use in the winter months and as it had virtually no insulation so the paper stock would get ruined from the damp. I also needed to expand beyond the space available and create something that I could use all year round.
The printshop at home.
The printshop came indoors and my Museum Studies background started to take part. I was making this more about the process, about the history, about preservation of both physical machines and typography objects. It became more about keeping the techniques that are used in all works of typography alive. I spent time restoring presses and cleaning and restoring typefaces.
I opened up my home studio to visitors by appointment and also for the Art & Crafts trail which Kirkcudbright hosts every year. This was a great success but I had taken up half of the space in my home and started to look for premises to store my growing collection.
Kirkcudbright Vintage Printworks at the Belfry
I wanted to build a museum, to open my collection to the general public and to move everything into a bigger space so I began looking for a building I could buy in Kirkcudbright. The Belfry Cafe was up for sale and is just around the corner from where I live. It's very well placed in the town and has a huge amount of natural light available. Most importantly it had a solid floor to support the weight of the presses.
I moved all of the equipment and opened up in a very short period of time. I wanted to be open for the Art & Crafts trail in 2025 and pushed to get everything ready for then. Kirkcudbright Vintage Printworks was open for around three months.
Then we were hit by a disaster, I opened up one morning to find the whole printworks flooded and water pouring down from every inch of the ceiling. It was a difficult event to witness. A pipe to a dishwasher in the restaurant above had come away leaving mains pressure water entering the printworks for around twenty hours. The water caused a huge amount of damage to the ceiling, walls, floor, electrics and contents. We are now ready to reopen and hope to bring an exciting new attraction to the town.